Between the Ancients and Moderns

Baroque Culture in Restoration England

Joseph M. Levine

View Inside Price: $65.00


September 10, 1999
296 pages, 6 1/8 x 9 1/4
18 b/w illus.
ISBN: 9780300079142
Cloth

The quarrel between the ancients and the moderns was an old dispute when it was resumed with special ferocity in the later seventeenth century as writers and artists, their friends and patrons, debated how far to imitate the classics and how far to risk the freedom to innovate. In this book Joseph M. Levine argues that it was this tension that gave unity to the cultural life of the period and helped define its baroque character. He also asserts that, contrary to public opinion, neither side won—even as modern superiority was being proclaimed in philosophy and the sciences, the precedence of the ancients was being reaffirmed in literature and the arts.

Levine offers a nuanced account of the seventeenth-century climate of ideas by examining the careers and intellectual lives of four prominent individuals and setting them among their friends and enemies: diarist John Evelyn; poet, playwright, and critic John Dryden; exiled French aristocrat Sieur de Saint-Evremond; and scientist and architect Christopher Wren. He shows how each of these men began with a self-consciously modern position but after much vacillation ended by accepting a surprising dose of "anciennete." In being among the first to explore these issues, argues Levine, these four men offered a prelude to the Battle of the Books and eighteenth-century neoclassicism. And in their uncertainty and anxiety they may also be seen as anticipating something of the later dilemmas of modernity.

Joseph M. Levine is Distinguished Professor of History at Syracuse University.

"Asserting that the working out of positions between ancient and modern is exquisitely complex, Levine delineates positions taken in theory and practice by movers and shakers of the period with respect to the conflicting claims of the ancients and the moderns. . . . Strongly recommended for graduate students and above."—Choice

"In this valuable study, Joseph M. Levine examines the ways in which Restoration high culture, particularly literature and the arts, were informed by the ubiquitous quarrel over how much the classics should be imitated. . . . Levine’s achievement in tracing the nuances of a now-dead argument in all of its rich content is considerable."—Jameela Lares, History: Reviews of New Books

"[The book] certainly enriches our understanding of the Augustan age, which looks a good deal less secure in its classicism than has usually been thought."—D. R. Woolf, Albion