The Leonard Bernstein Letters

Edited by Nigel Simeone

View Inside Price: $38.00


October 29, 2013
624 pages, 6 1/8 x 9 1/4
29 b/w illus.
ISBN: 9780300179095
Cloth

Also available in:
Paper


Leonard Bernstein was a charismatic and versatile musician—a brilliant conductor who attained international super-star status, and a gifted composer of Broadway musicals (West Side Story), symphonies (Age of Anxiety), choral works (Chichester Psalms), film scores (On the Waterfront), and much more. Bernstein was also an enthusiastic letter writer, and this book is the first to present a wide-ranging selection of his correspondence. The letters have been selected for the insights they offer into the passions of his life—musical and personal—and the extravagant scope of his musical and extra-musical activities.


 


Bernstein’s letters tell much about this complex man, his collaborators, his mentors, and others close to him. His galaxy of correspondents encompassed, among others, Aaron Copland,Stephen Sondheim, Jerome Robbins, Thornton Wilder, Boris Pasternak, Bette Davis, Adolph Green, Jacqueline Kennedy Onassis, and family members including his wife Felicia and his sister Shirley. The majority of these letters have never been published before. They have been carefully chosen to demonstrate the breadth of Bernstein’s musical interests, his constant struggle to find the time to compose, his turbulent and complex sexuality, his political activities, and his endless capacity for hard work. Beyond all this, these writings provide a glimpse of the man behind the legends: his humanity, warmth, volatility, intellectual brilliance, wonderful eye for descriptive detail, and humor.

Nigel Simeone is well known as a writer and speaker on music and is the author of several books including Leonard Bernstein: West Side Story. He lives in Northamptonshire, UK.

“With their intellectual brilliance, humour and wonderful eye for detail, Leonard Bernstein’s letters blow all biographies out of the water. His galaxy of correspondents includes Stephen Sondheim, Boris Pasternak and Jacqueline Kennedy. Full of fresh information and the authentic voice of a constant seeker.”—The Economist (named a 2013 Book of the Year)
“His collaborator Betty Comden once noted, in a letter to Bernstein, that he saved ‘every scrap of correspondence.’ You will be grateful . . . a rich collection of letters to and from Bernstein, filled with revelations about his musical and personal lives.”—James R. Oestreich, New York Times
“Bernstein's versatility and ambition were such that he spent a lot of time trying to figure out who he was—which also meant searching for American music and for the future of music generally. This book doesn't resolve Bernstein's quest. But it's an invaluable resource, and the quest itself continues to fascinate and to matter.” —Joseph Horowitz, The Wall Street Journal
“The correspondence from and to the remarkable conductor is full of pleasure and insights.”—New York Times Book Review (Editors’ Choice)
“Exhaustive, thrilling [and] indispensable.”—Elysa Gardner, USA Today, starred review

“Energetic, intimate . . . an eye-opening volume: a glimpse into the personal life of a legend.”—Jeff Lunden, NPR “Weekend Edition Sunday”

“Bernstein emerges as highly literate, compassionate, astonishingly busy and gifted almost beyond measure.”—Kirkus Reviews (starred review)

“A hugely entertaining chronicle of a enviable life, and a trove of musical and show-business gossip.”—Adam Kirsch, The New Republic

"What terrifying letters you write: fit for the flames is what they are. Just imagine how much you would have to pay to retrieve such a letter forty years from now when you are conductor of the Philharmonic."—Aaron Copland to Leonard Bernstein in 1940
“[It’s] full of both serious and gossipy correspondence between the musical genius and such friends as Stephen Sondheim, Betty Comden and Aaron Copland.”—Joe Meyers, CTNews.com
“This incredible collection of letters gives us a glimpse into the depth and breadth of Bernstein's world. The sheer volume of correspondence, all beautifully presented and annotated by Nigel Simeone, shows us that Bernstein loved the written word as much as the musical word!”—Marin Alsop, musical director, The Baltimore Symphony Orchestra
“A document of a golden age.”—Jimmy So, The Daily Beast
“The book — consisting of 650 letters both from and to Bernstein, dated between 1932 and 1990 — is not merely interesting. It is fascinating, enlightening and a veritable page-turner that will keep you up nights, ruin your sleep and wreak all sorts of havoc for 600 pages.”—Steve Suskin, Playbill

“His letters have a tremendous zest, and a good journalistic eye, too, and since he was often at the right place at the right time, at some of the key moments in his 20th-century history, this gives them a wider interest.”—Christopher Hart, The Sunday Times

“A marvelously entertaining new book . . . The Leonard Bernstein Letters makes it possible to take stock of Bernstein’s weaknesses—his enthusiasm could lead to sentimentality, and clearly his fame became a kind of bubble. But these pale in comparison with his energy, joy, and absolute dedication to music. It’s sad to think that our culture will probably never produce someone like him again.” —Adam Kirsch, Tablet magazine

“It is a major, highly accomplished piece of work in its own right.”—Illtyd Harrington, Camden New Journal

The Leonard Bernstein Letters. . .contains so much that is startling and unknown that all past books, including his own, become instantly inadequate. Don’t take my word for it. On the jacket, Bernstein’s official biographer, Humphrey Burton, declares that, with this book in hand, ‘I want to start all over again.’”—Norman Lebrecht, Standpoint Magazine

“Simeone’s choice of letters [are] superbly amplified by his exhaustively researched footnotes, which manage to identify and flesh our even the most obscure of his subject’s multifarious correspondents.”—Stephen Walsh, The Spectator

“[O]pinions [are] expressed with force and often with elegance in his correspondence with performers, composers, publishers, promoters and many other else, as revealed in TheLeonard Bernstein Letters, edited by the eminent Bernstein scholar Nigel Simeone.”—Christopher Morley, Birmingham Post,

“In Nigel Simeone’s editorial labour of love The Leonard Bernstein Letters some of the most entertaining letters come from Bernstein’s correspondents.”—Sameer Rahim, The Sunday Telegraph
“Like Britten, Bernstein was an assiduous correspondent, and The Leonard Bernstein Letters is a vast, absorbing canvas of a life lived at full speed, with a cast list that reads like a who’s who of American cultural life in the 20th century.”—Adam Lively, The Sunday Times
“Magnificent and long-awaited.”—Maria Popova, Brain Pickings

“This volume has been handsomely edited, and the decision to include letters from Bernstein's correspondents results in a rich portrayal of a particular age of privilege...”—Philip Hensher, The Guardian

The Leonard Bernstein Letters will be pounced upon by aficionados… Christmas reading doesn’t come any better.”—International Record Review
 “[The] extraordinary archive, The Leonard Bernstein Letters, [is] edited meticulously by Nigel Simeone.”—Jenni Frazer, Jewish Chronicle

“[H]ats off to Nigel Simeone for his painstaking research into the myriad references in Bernstein’s correspondence. Concerts, recordings, broadcasts, travel dates, parties, you name it, they are all meticulously recorded in the brilliant footnotes to this large collection of letters. . .a magisterial survey. . ..”—Fiona Clampin, Classical Music

"Top of my list for music books this Christmas has to be the new compendium of Leonard Bernstein’s Collected Letters which are brilliantly written, seriously engaging, and strangely contradictory, in the way that Bernstein was himself a mass of fascinating contradictions – egocentric/loving, boastful/blisteringly honest, gay/straight; with a curious ambivalence, for a Jew, towards the remnants of the Third Reich."
Ham & High
“[W]hat emerges is an absorbing and highly readable portrait of a complex, larger-than-life character nicely described by a fellow-composer as ‘one of the blessed ones who make everything they encounter come alive.'”—Anthony Burton, BBC Music Magazine
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Peter Hill and Nigel Simeone

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